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William Forsythe

Colette Copeland · Sep 20, 2019 ·

William Forsythe, Nowhere and Everywhere at the Same Time, No. 3, 2015, plumb bobs, string, compressed air cylinders, and aluminum frames.  © William Forsythe, courtesy of the artist / Photo: Dominik Mentzos 

William Forsythe

Choreographic Objects: Nowhere and Everywhere at the Same Time, No. 2, 2013

Museum of Fine Arts
Houston, Texas [link]
May 23-September 15, 2019

Forsythe’s interactive installation invites viewers to participate in navigating through a minefield of kinetic sculpture, not unlike a game of dodgeball: swerving to elude the swinging metal ballasts, suspended from the ceiling. Beyond play, the work creates an awareness of the body in space and time: in a state of unsettling disequilibrium, contrasting the rhythmic metronomic movement of suspended pendula. The title suggests a dance, but it is a manipulated dance orchestrated to rupture balance and stasis, developing a heightened sentience of the liminal body. A practical physical and mental maneuver akin to operating in our current political climate.

~ Colette Copeland

William Forsythe, Nowhere and Everywhere at the Same Time, No. 3, 2015, plumb bobs, string, compressed air cylinders, and aluminum frames.  © William Forsythe, courtesy of the artist / Photo: Dominik Mentzos 
William Forsythe _ photo by Colette Copeland
William Forsythe _ photo by Colette Copeland
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installation art, colette copeland, Houston, texas, william forsythe

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