a little bit exactly like
RE gallery + studio, Dallas [link]
If Guston, Tuttle, and Raushenberg impregnated Ernesto Neto and had babies that were art objects, they’d look like the plump, playful, seemingly naïve constructions of Lily Hanson. Hanson combines propped, pop prosthetics and wall hung soft sculptures with cartoonish paintings on cardboard. Despite their propped-upness, Hanson’s sculptural bumps on logs defy gravity. Covered in perky, spandex appendages—part painting, part sculpture—the child-sized works seem strategically protected. Hanson’s paintings, simply presented on unframed cardboard, are learning tools: schematics for adults who need a refresher course on play. Prods rather than props, these images suggest plans for cerebral loosing.