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Lygia Pape

Colette Copeland · May 8, 2017 ·

Theia 1 C (misspelling of Portuguese word for web), 1976-2004_  golden thread, nails, wood, lighting

 

Lygia Pape
A Multitude of Forms [link]
The Met Breuer, New York
Through July 27th, 2017

Theia 1 C (misspelling of Portuguese word for web)
[1976-2004]
golden thread, nails, wood, lighting

Ethereal golden rays appear and disappear just out of reach, offering an illusory promise of riches. Exploring the relationship between linear form and the body’s movement within space, Pape’s use of golden thread deceives with the semblance of fragility. Because Pape’s work is grounded in geometric abstraction, critics sometimes mistakenly relate her work to European modernism. Pape’s resplendent web is one of resistance, a beautiful and subtle trap defying European colonization of her country, (note the misspelling of the title) as well as political unrest within Brazil’s history. The contingent object’s illumination perseveres, claiming criticality despite subjugating powers.

~ Colette Copeland
photographs by the author

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