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Lucia Simek

Sally Glass · Oct 2, 2015 ·

ReadingRoom_Lucia Simek_18
making daily deals/risks with ourselves of which we don’t see the outcome // being both within and without a psychical and physical place or “staying” nowhere // I love this work like the children that I made // moment of reckoning, coming down is unmooring

Lucia Simek
OCCIPUT
The Reading Room, Dallas [link]

OCCIPUT documents the awkward confrontation of one’s stochastic personality, steeped in processes of self-exile and reckoning, mirrored in natural worlds’ expansive and diachronic narratives in motion. Poetically eclectic, intoxicatingly non-sequitur, each fragment reveals its humble frailty. The two-channel video echoes the titular intention, alluding to the brain area responsible for vision, the stereoscopic ability to merge disparate information. Each of the cardinal works serves as self-reflexive monument in a topographical map depicting the failure of a human relationship. It honors the violent shifts in awareness, which take place when the tranquil, protective surface above is betrayed by unseen structural fissures.

~ Sally Glass
images by Kevin Todora, courtesy of The Reading Room

marble
marble fissures in the land, and a shield for the protection of the feeble ground, mockette of failed expedition broke en route // becomes a talisman or a monument to this process to ward off similar badness //
Reading Room_ Lucia Simek
“look mommy you’re in the fire” almost so intimate that it becomes distant and unremarkable // the details of violence are lost // to be held in the bow is to not be an arrow
Reading Room_Lucia Simek
socks are a protective comfort, basic shapes, basic sustenance for the body // combination of bread and jam are alternating/not being picked tandem // formula w language via objects
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