Haegue Yang’s large-scale, kinetic, sculptural installation resembles a meditative moving Carlotta Capron photograph. Red Venetian blinds suspended from the ceiling project shifting formalist shadows, as roving spotlights illuminate their form. Referencing secret meetings between Korea and China that took place in the mountains of Northern China in the 1930’s, the conceptual undertones contrast this peaceful, abstract, visual specter. The blinds and spotlights acquire sinister connotations, alluding to surveillance, and covert military intelligence. Following the light, the viewer is led through the mysterious labyrinth, never fully able to capture the fleeting apparition or remain furtively hidden in the shadows.
~ Colette Copeland
images courtesy of Colette Copeland